Waiting For Godot Show Poster

Waiting For Godot Critics’ Reviews

In Waiting For Godot, two wanderers wait by a lonely tree, to meet up with Mr. Godot, who they hope will change their lives for the better. Instead, another couple of eccentric travellers arrive, one man on the end of the other's rope. The results are both funny and dangerous.

Waiting For Godot is playing in rep with No Man's Land.

Show Overview

About Waiting For Godot

What Is the Story of Waiting For Godot?
Samuel Beckett’s classic tells the story of Vladimir (Didi) and Estragon (Gogo), two wanderers who meet at a tree in the middle of nowhere to wait for the man who will change everything: Godot. Although they aren’t sure exactly when he is coming, Vladimir (and, to a lesser extent, Estragon) knows one thing for sure—Godot is coming. The duo is temporarily sidetracked when a pompous, wealthy traveler named Pozzo and his sniveling, elderly servant, Lucky, pass through. As the hours turn into days, Didi and Gogo become less sure of where they are, why they are waiting, how much time has passed and whether or not Godot is actually coming for them after all. Still, they wait, just in case.

Reviews

Critics’ Reviews (4)
A collection of our favorite reviews from professional news sources.

"These accomplished vets—two Brits, two legends, two knights—make a fine pair of performers, and it’s a joy to watch them work together, polished, sure, and at ease in their roles, playing off each other and clearly enjoying themselves."

New York Observer

Jesse Oxfeld

"Under the classically oriented direction of Mathias, the two thespians play the parts they were meant to play."

Variety

Marilyn Stasio

"Being stuck in limbo has never been so magnetic."

New York Daily News

Joe Dziemianowicz

"In the absurdly enjoyable revivals of Harold Pinter’s ‘No Man’s Land’ and Samuel Beckett’s ‘Waiting for Godot,’ which opened in repertory on Sunday at the Cort Theatre, Ian McKellen and Patrick Stewart make a most persuasive case for conversation as both the liveliest and loneliest of arts."

The New York Times

Ben Brantley

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