The Snow Geese Tickets

Mary Louise Parker's Broadway and off-Broadway credits include Prelude to A Kiss, Proof, How I Learned To Drive, Heisenberg, The Snow Geese, The Sound Inside, Reckless, Hedda Gabler, Four Dogs And A Bone and more. Television: Angels in America, The West Wing, Weeds, When We Rise, Mr. Mercedes, Billions, Sugartime, The Robber Bride, Saint Maybe, A Place for Annie and more. Film: Red Sparrow, Red and Red 2, Behaving Badly, The Portrait of A Lady, Golden Exits, The Client, Fried Green Tomatoes, The Assassination of Jesse James, Boys on the Side, Red Dragon, The Five Senses, R.I.P.D, Howl, Solitary Man, Romance & Cigarettes, and more. Recipient of the Tony award, The Emmy, Two Golden Globes, The Satellite Award, Two Obies and Two Lucille Lortel Awards, as well as The Drama Desk, Outer Critics and Drama League Awards, The Clarence Derwent and Theater World Awards, and more. Mary-Louise was an on-staff contributor to Esquire magazine for over a decade and her writing has appeared in The New York Times, O magazine, Bullett, Bust, The Riveter, In Style, Hemispheres, and others. Her first book Dear Mr. You was published in November 2015 and translated into five languages. Her humanitarian efforts have been recognized by the Los Angeles Country Commission, GLAAD, and OUT Magazine and her work on behalf of the LGBTQ community has been recognized by the Hetrick Martin Institute and the NY LGBTQ Center.

Danny Burstein has appeared in 20 Broadway shows, including: Gypsy, Pictures From Home; Moulin Rouge, for which he received the Tony Award for playing Harold Zidler; Doolittle in My Fair Lady; Tevye in Fiddler on the Roof; Herr Schultz in Cabaret; Max in The Snow Geese; Tokio in Golden Boy; Buddy Plummer in Follies; The Taxi Driver in Women on the Verge of a Nervous Breakdown; Luther Billis in South Pacific; Aldolpho in The Drowsy Chaperone (Ovation Award nomination); Company; A Class Act; Titanic; and three seasons as an original company member of Tony Randall’s National Actors Theater: Three Men on a Horse, Saint Joan, The Seagull, A Little Hotel on the Side and The Flowering Peach. Off-Broadway includes: Nick Bottom in A Midsummer Night’s Dream (Delacorte); Describe the Night (Atlantic); Talley’s Folly (Lucille Lortel Award nomination); Mrs. Farnsworth (opposite Sigourney Weaver & John Lithgow); Psych; All in the Timing; Merrily We Roll Along; Weird Romance; I Love You, You’re Perfect, Now Change, three appearances at Carnegie Hall as well as performing at the Metropolitan Opera as Frosch in the Jeremy Sams/Douglas Carter Beane production of Die Fledermaus.  Film/TV includes: Julia, Dora, Tokyo Vice, The Good Fight, Will Trent, Grease: Rise Of The Pink Ladies, Molli and Max in the Future, The Accidental Wolf, Gary Jr. Or Jesus of Framingham, Tick Tick Boom, Separation, F Is For Family, The Same Storm, Central Park, Dr. Death, Evil, Instinct, NCIS: New Orleans, Madam Secretary, The Blacklist, Tales of the City, Deception, Elementary, Indignation (directed by James Schamus), The Family Fang (directed by Jason Bateman), Blackhat, Boardwalk Empire (directed by Martin Scorsese), Louie, The Good Wife, Absolutely Fabulous, Ed, all the Law & Order series, Hope & Faith, Transamerica, Deception, Affluenza, American Milkshake, Nor’easter, Construction, The Sounding; and Trust, Greed, Bullets & Bourbon. He was honored with his own Sardi’s caricature in 2009. Mr. Burstein proudly served on the Artists Committee for the Kennedy Center Honors for 15 years and received his training at New York's famed H.S. of Performing Arts, the Moscow Art Theater, Queens College (BA) and the University of California, San Diego (MFA). In 2022, he was awarded the honorary degree of Doctor of Fine Arts, honoris causa, from Queens College. Burstein has received the Tony Award (7 nominations), the Drama League Award (3 nominations), two Drama Desk Awards (4 nominations), four Outer Critics Circle Awards (6 nominations), and three Grammy Award nominations.

Victoria Clark is a Tony Award-winning actress, director and educator. Victoria’s experience spans across classical and contemporary idioms, encompassing both existing and new work, in plays, musicals, opera, film, and television. Acting: Twelve Broadway shows including The Light in the Piazza (Tony, Drama Desk, Outer Critics Circle awards), Gigi (Tony, Helen Hayes nominations), Rodgers and Hammerstein’s Cinderella (Tony, Outer Critics Circle nominations), and Sister Act (Tony, Drama Desk, Outer Critics Circle nominations). Off-Broadway: When the Rain Stops Falling(Drama Desk nomination), A Prayer for My Enemy, The Marriage of Bette and Boo, The Agony and the Agony, Marathon Dancing, Follies (L.A.), Ma Joad in The Grapes of Wrath, and Katisha in The Mikado, both at Carnegie Hall. International: Madame Sousatzska in Sousatzska. Film: The Happening, Cradle Will Rock, One Royal Holiday, Wanderland, Archeology of a Woman, Harvest, Tickling Leo, Main Street. Television: Pose, The Blacklist, Almost Family, Law & Order/SVU, The Good Wife, Mercy, and Homeland. Directing: The Dance of Death by August Strindberg (Classic Stage Company); “Come to Jesus,” for MasterVoices’ virtual production of Adam Guettel’s Myths and Hymns; Scaffolding by Jeff Blumenkrantz starring Rebecca Luker for Premieres! (Barrow Group Theater); Paper Piano by Mary Jo Shen (Joe’s Pub); Hansel and Gretl and Heidi And Günther (Village Theater Festival of New Musicals);Newton's Cradle, NAMT Festival, (Best Director); The Trouble With Doug (Fredericia Theater, Denmark); The Impresario (Philadelphia Opera Theater); Eight productions for Texas Opera Theater, the touring arm of Houston Grand Opera.

Christopher Innvar has been seen on Broadway in Frankie and Johnny in the Clair de Lune, The Snow Geese, The Gershwins’ Porgy and Bess, Victor/Victoria, Les Misérables, The Threepenny Opera, 110 in the Shade, The People In The Picture. Off-Broadway credits include Floyd Collins (Playwright’s Horizons), King Lear (Delacorte Theatre), Signature Theatre Company, Atlantic Theater Company, Vineyard Theatre, Transport Group Theatre Company, Red Bull Theater, Manhattan Theatre Club, Lincoln Center Theater, Classic Stage Company. Directing credits include The Whipping Man with Clarke Peters and The Other Place with Marg Helgenberger at Barrington Stage Company. Plays: Turtles (Applause), Phantom Limb (YouthPLAYS). Film: The Post. Television: The Sinner.

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