The press room of Chicago’s Criminal Courts Building is buzzing with reporters covering the story of an escaped prisoner. When star reporter Hildy Johnson accidentally discovers the runaway convict, he and his editor Walter Burns conspire to hide the man from the other reporters, while they chase the biggest scoop of their careers.
The press room of Chicago’s Criminal Courts Building is buzzing with reporters covering the story of an escaped prisoner. When star reporter Hildy Johnson accidentally discovers the runaway convict, he and his editor Walter Burns conspire to hide the man from the other reporters, while they chase the biggest scoop of their careers.
The New York Times cheers The Front Page is a hyped-up, four letter hymn to the obsessiveness of the ink-stained muckraker, a marvel of intricate locomotive parts. Nathan Lane is spectacular. He is all but setting fire to the stage.” New York Magazine raves “The Front Page knocks ‘em dead! A top-notch production of a blistering newsroom classic. Nathan Lane is a time bomb onstage, with no fuse and an infinite payload.” Time Out New York calls it “a summit of American screwball comedy.” And The Huffington Post writes “That’s not the sound of a fleet of flivvers backfiring that you hear on West 44th Street these nights. It’s laughter, cascading and echoing like bullets from tommy guns. The Front Page is back on Broadway, as rip-roaring as ever, and played by the best comic actors in captivity.”
"A summit of American screwball comedy!"
Time Out New York
David Cote
"Jack O'Brien directs an impeccable revival that delights in the tasteless vulgarity of that fabled era."
Variety
Marilyn Stasio
"Nathan Lane all but sets fire to the stage."
The New York Times
Ben Brantley
