Primary Trust Tickets

LCT3: After the Blast. An Emmy nominee, William Jackson Harper was recently seen opposite Paul Rudd in Marvel’s Ant-Man and the Wasp: Quantumania and in MGM’s Landscape with Invisible Hand (premiered at Sundance). Earlier this year, Harper received critical acclaim in Eboni Booth’s Primary Trust at Roundabout Theatre Company. In 2022, Harper starred in Peacock’s series The Resort. In 2021, he starred as Marcus Watkins in HBO Max’s anthology series Love Life (also executive produced; Critics’ Choice and NAACP Image award nominations). He recently completed production on the Netflix limited series A Man in Full (executive produced by David E. Kelley and Regina King), and the new animated film Jodie (MTV). In 2021, Harper starred in the indie We Broke Up and as Royal in Barry Jenkins’ Emmy nominated Amazon limited series The Underground Railroad (Critics’ Choice Award nomination). From 2016-2020, Harper portrayed Chidi in NBC’s award-winning comedy series The Good Place (Emmy nomination and two consecutive Critics’ Choice Award nominations). In 2020, Harper narrated the Marvel audio book series Black Panther: Sins of the King. He also starred in the Williamstown Theatre Festival’s Audible presentation of Stacy Osei-Kuffour’s Animals. In 2019, Harper starred in the Focus Features’ Dark Waters(directed by Todd Haynes). Harper also starred in A24’s thriller Midsommar (directed by Ari Aster). His additional feature film credits include Lost Holiday, Paterson, True Story, All Good Things and How to Tell You’re a Douchebag. On TV, Harper co-starred as Xander in the second season of Amazon’s Jack Ryan. Additionally, he has made guest appearances on numerous series including 30 Rock, The Blacklist, Law & Order, Law & Order: CI, Deadbeat, High Maintenance, Unforgettable, the PBS children’s series The Electric Company, and the telefilms The Breaks and The Share. His theater credits include appearing on Broadway in the Tony Award winning play All the Way, with Bryan Cranston; his 2018 playwriting debut with the drama Travisville (Ensemble Studio Theatre); A Family for All Occasions (LAByrinth); Modern Terrorism (Second Stage); The Total Bent, Titus Andronicus, Measure for Measure (The Public); Placebo, A Cool Dip in the Barren Saharan Crick (Playwrights Horizons); and Queens Boulevard, Paradise Park (Signature). Harper also has numerous regional theater credits including Ruined, Hamlet, Much Ado About Nothing and Romeo and Juliet.

April Matthis  is an Obie Award-winning actor. Broadway: The Piano Lesson. Selected Off-Broadway: Primary Trust (Roundabout); Help (The Shed); Toni Stone (Roundabout); Fairview, Lear (Soho Rep); The Sound & the Fury (ERlevator Repair Service); Fondly, Collette Richland (NYTW); Measure for Measure (The Public); Everyone’s Fine with Virginia Woolf (Abrons Art Center); GATZ (Perth Festival).TV: The Blacklist, New Amsterdam (NBC); Evil, The Good Fight (Paramount Plus); Life & Beth (Hulu). Film: Black Card (HBO, Showtime), Fugitive Dreams (FantasiaFest, Cinequest), Ramona at Midlife (Woodstock Film Festival).

Currently in: Primary Trust. Past Roundabout as Doolittle in Pygmalion.  He was most recently seen as Falstaff in TFANA’s open workshop of Henry IV parts 1&2, Nick Laine in Conor McPherson’s Girl From The North Country, and David Michaels in Richard Nelson’s What Happened?:The Michaels Abroad, which completed The Rhinebeck Panorama; a cycle of 12 new plays which began at the Public Theater in 2010, on which he collaborated with his wife, Maryann Plunkett.  Sanders notably played the title roles in Uncle Vanya for Hunter Theater Project and Cyrano de Bergerac at the Guthrie Theater, as well as appearing in numerous television projects (True Detective, Sneaky Pete, The Sinner, Law & Order, Manhunt), films; (The Day After Tomorrow, JFK, Kiss the Girls, Edge of Darkness, Tumbleweeds, and most recently Alejandro Iñárritu’s BARDO and Jesse Eisenberg’s When You Finish Saving The World), and has narrated a long list of documentaries, mostly for PBS. As a writer, his play, Unexplored Interior, delving into the 1994 Genocide in Rwanda, was the inaugural production of Washington D.C.’s Mosaic Theater.

To come.

To come.

TO come.

To come.

To come.