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Laura Pels Theatre at the Harold and Miriam Steinberg Center for Theatre

The Understudy

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The Understudy, Laura Pels Theatre at the Harold and Miriam Steinberg Center for Theatre, NYC Show Poster
Laura Pels Theatre at the Harold and Miriam Steinberg Center for Theatre

111 West 46th Street
New York, NY 10036

90 minutes
No Intermission
Important Dates
On Sale
Aug 01, 2009
Oct 09, 2009
Nov 05, 2009
Jan 17, 2010
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This biting comedy takes place behind the scenes during the Broadway run of a long lost Kafka play, introducing a cast of characters including a star who doesn’t understand the ...

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What Is the Story of The Understudy?
In a darkened Broadway theater, down-on-his luck (and somewhat bitter) actor Harry is getting just the break he needs—the chance to appear as the understudy for a major Hollywood action star in a two-man Kafka play currently performing to packed houses. But before Harry can formally recite his first lines at a midday “put-in” rehearsal, all hell breaks loose. One of the play’s two stars, Jake, doesn’t want Harry as his understudy; the stage manager running rehearsal turns out to be the jilted ex-fiancée Harry left at the altar, and the set technician assisting the day’s run through is so stoned everyone onstage is dodging flying set pieces. Will Jake, Harry and his ex get their act together in time for the curtain to go up?

Critics’ Reviews
for The Understudy

"Mark-Paul Gosselaar, Justin Kirk and Julie White are a thoroughly excellent trio."

Review by Dan Kois from New York Magazine

"The full eye roll, virtually a reflex gesture for many New Yorkers, becomes a comic drama in itself in [star Julie] White’s hands—or should I say sockets? Even Ms. White’s...agile frame seems to embody perfectly a state of brittle anxiousness, like a tuning fork ever primed to be set quivering."  

Review by Charles Isherwood from The New York Times

Frequently Asked Questions
about The Understudy

What Is The Understudy Like?
One part behind-the-scenes comedy, one part valentine to the theater, The Understudy is a ridiculous comic romp through the inner workings of the less-than-glamorous side of Broadway. In a breezy 90 minutes, the performers run the Rialto lovingly through the ringer, throwing playwright Theresa Rebeck’s playfully worded barbs at the audience, each other and the stage community at large. More than just a piece for theater fans, the play also tackles more touching topics with widespread appeal, from broken hearts to bruised egos, and it does so without devolving into sappiness.

Is The Understudy Good for Kids?
There’s nothing in this three-hander more offensive than what you’d find on a primetime sitcom. Rebeck occasionally tosses in a few curse words for emphasis, but nothing any average middle schooler hasn’t already heard. Theater jokes, relationship commentary and pop culture references will be appreciated by those old enough to have a high school musical under their belt. The scenes from the show’s fictional Kafka play may pull laughs from adults, they’re likely to leave younger family members bored.