Dorothy Parker is at her wit's end. She's past deadline for a collection of her work. She can't get her typewriter to listen to reason. Her ex-husband (twice-over) wants her in Hollywood to write a screenplay for Marilyn Monroe, and she can't pay her rent. Can she cope? Of course she can. When all else fails, "You might as well live." The show "is packed with delicious new numbers in the sassy, sophisticated vein of Porter, Sondheim, and Rodgers and Hart"-The Chicago Reader.