Death Becomes Her Show Poster

Death Becomes Her Reviews

A new musical, based on the 1992 film of the same name.

4.7
Tickets starting at $63.74
Show Overview
customer reviews

Customer Reviews (562)

4.7
Score average from verified show reviews by customers who’ve bought tickets from Broadway.com.
5 stars
80%
4 stars
16%
3 stars
1%
2 stars
1%
1 star
1%
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Mundane
"Plenty of dance but not much substance. A modestly entertaining trifle. So many superb shows available; why try this? "
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Broadway.com Customer on Jul 20, 2025
Underwhelmed
"I loved this movie as a child and was excited to see it after all the emails I was receiving from broadway.com. However I was very disappointed overall. Michelle Williams was fun to see live. One of the best scenes was Ernest drinking too much. I’m glad I didn’t spend the money for orchestra seats. This is the first New York show I’ve seen that I haven’t left raving about. "
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Broadway.com Customer on Dec 30, 2025
Disappoonted
"The lead actresses had amazing voices and the dancers were great but overall I thought the story was silly and not worth the money"
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Broadway.com Customer on Dec 29, 2025
Should have ratings on content of shows
"I gave two stars for acting and singing/dancing. I thought that was great but the vulgar language and constant outright sexual connotations were not necessary and took away from what could have been a great show. We left at intermission and it would have been a lot sooner if it weren’t for us being in the middle of an isle and not disrupting others. In short it was a perfectly good comedic story that was very sexualized. "
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JoAnne M from Lincoln on Dec 14, 2025
Cool show, bad story
"Death Becomes Her is not for me. I come to theaters for clever set design and engaging story telling, neither of those did the show do good at. The premise of the story was rather confusing and sometimes inconsistent. The plot felt uncomfortably forced and the humor reminded me more of a soap opera than a Broadway musical. The set design was a hoard of advanced props and set pieces piled together; the budget made them look fantastic, sure, but I expected more thought put into the art that is set design than this from Broadway. My biggest complaint is how flat every single character was. The show did not try the slightest to convince me that these characters could have existed outside of the story. Almost every character can be described in their entirety in a single sentence, and their values either remained unchanged throughout the plot or acutely changed without any proper character arc. And, for certain characters, asking what their motivations are only brings more questions that the show displayed no intent to answer. That said, the show did have spectacular choreography and practical effects. If these are what you're looking for in a Broadway show, then go ahead and give it a try. Otherwise, I really cannot recommend this to anyone who cares about the story or just the more common theatrical components of a show."
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Broadway.com Customer on Dec 5, 2024
Grown up mean girls
"A lot of singing and dancing about cosmetic procedures and maintaining beauty. Pretty silly stuff and not one hummable song."
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Broadway.com Customer on Dec 29, 2025
Online show synopsis is misleading
"The show does not in any way shape or form have a positive message about friendship or the destructiveness of materialism. The clothing on the goddesses’ apprentices is distasteful. This is NOT for children unless you’re ok with a show about immorality "
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Broadway.com Customer on Apr 18, 2025
There are better shows
"This show was mildly entertaining. There are no big singers, there will be no goose bumps from an unbelievable voice. Fair performance by fair actors. Good story but needless vulgarity and sexual content. This show is not appropriate for children of any age. It said ages 12 and over, unless your kids are already telling dirty jokes, being sexually vulgar and down right dirty do not take them to see this show. There are much better shows for the money that don't get raunchy to be funny and sell tickets. "
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Broadway.com Customer on Aug 21, 2025
I left at intermission
"This was the most disagreeable show I've ever seen. Every character was self-absorbed, vain and just plain mean. I didn't care what happened to any of them. Music was completely forgettable and LOUD just for volume's sake. The leads all shouted their songs...unmusical, even with a poor score. They might have talent, but I'll never know. We left at intermission. I have never left a show in the middle, and I've been attending theater for 50+ years. What a waste of money."
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Broadway.com Customer on Jan 19, 2026
Not for everyone
"It was sometimes hard to understand and not for everyone "
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Broadway.com Customer on Aug 6, 2025
Hilarious
"I loved everything about it. The characters were first-class performers. The choreography was above and beyond. I laughed and enjoyed every minute."
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Broadway.com Customer on Jun 4, 2025
Disappointed
"The show's jokes got old. "
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Broadway.com Customer on Jan 19, 2025
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About Death Becomes Her

Madeline Ashton is the most beautiful actress (just ask her) ever to grace the stage and screen. Helen Sharp is the long-suffering author (just ask her) who lives in her shadow. They have always been the best of frenemies…until Madeline steals Helen’s fiancé away. As Helen plots revenge and Madeline clings to her rapidly fading star, their world is suddenly turned upside down by Viola Van Horn, a mysterious woman with a secret that’s to die for.

After one sip of Viola’s magical potion, Madeline and Helen begin a new era of life (and death) with their youth and beauty restored…and a grudge to last eternity.

Now a warning! You may not be ready for the unbelievable amount of comedy, glamour, and magic onstage at the Lunt-Fontanne Theatre. Death Becomes Her is a “wildly entertaining, perfect musical comedy. It grabs the audience by the jugular and doesn’t let go” (Deadline). With direction and choreography by Tony winner Christopher Gattelli, Death Becomes Her is “a laugh-filled, tuneful musical to die for” (Variety) and “a cheek-aching laughter roller coaster — the most fun night out on Broadway!” (The Daily Beast). Experience the “savagely funny” (Time Out) pop-culture phenomenon that’s been certified “hilarious” by The New York Times, Entertainment Weekly, Z100, Beyoncé (!!), Goldie Hawn, Superman aka David Corenswet, Michelle Williams (the other one), and countless fans on Instagram, TikTok, and beyond. See it now, and laugh for eternity.

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