Here is a sampling of what they had to say:
Rob Kendt in his Broadway.com Review: "[Grodin's] new play is curiously unfunny and under-penetrating, the theatrical equivalent of polite, unenlightening cocktail party chatter. Perhaps because the absurdities of his fictional co-op board are so self-evident, Grodin didn't feel the need to inject any vicious exaggerations or spring-load any dangerous surprises into their proceedings… This broker will have to recommend you pass on this rental."
Ben Brantley of The New York Times: "This portrait of the pettiness of the rich defending their real estate has the embarrassed, tentative air of someone who has just been served a choice cut of steak and misplaced his dentures. Mr. Grodin is famous as an actor The Heartbreak Kid, Heaven Can Wait and memoirist I Like It Better When You're Funny of wry and companionable charm. Evidence of such wit and intelligence beams through the presiding glumness in fitful, hope-inspiring flashes in this 80-minute play, directed by Chris Smith. But the show never overcomes a self-conscious, almost funereal, solemnity. It's as if it were in mourning for its missed opportunities."
Linda Winer of Newsday: "Grodin--better known as a deadpan comic actor and cranky social commentator--manages to juggle the transparent and hidden agendas of 14 vividly drawn people with a steady hand and a grasp of slippery notions about loyalty. And unlike The Price of Fame, his fledging 1990 play about a fading movie star and an amorous female journalist, we have the sense here that he knows the territory. This off-Broadway production has an atypically luxurious cast, mostly veteran character actors who appear to be relishing the opportunity to find the subtext in so many contrasting Manhattan facades."