Christopher Jackson received a 2016 Tony nod for his portrayal of George Washington in the Broadway smash hit Hamilton. He made his Broadway debut in the original company of The Lion King. Other Great White Way credits include Bronx Bombers, Memphis and In the Heights. Television credits include Guiding Light and The Electric Company. Jackson has also been a frequent contributor to the improv group Freestyle Love Supreme.

TO come.

Ben Thompson has been seen on Broadway in Matilda (Trunchbull), Holler If Ya Hear Me (Griffy) and American Idiot. His off-Braodway credits include Carrie (Billy) and Rent. On screen, he's been seen in Leverage: Redemption, Single Drunk Female, Chicago PD, Little Voice, Law & Order: SVU, Daredevil, BULL, The Seagull, Freedom. Vocals: The Greatest Showman, Dear Evan Hanson, Tick Tick Boom, In the Heights, Vivo, and the Sesame Street podcast Foley and Friends. TCU alum. For my wife, Kat, and daughter, Tala

John Earl Jelks can be seen in this season of the HBO Max series “Love Life.” In theater, John starred in Head of Passes at the Mark Taper Forum, reprising the role he originated alongside Phylicia Rashad and others in the Public Theater's production of the piece in 2016. John also appeared on Broadway in the critically acclaimed play Sweat by Lynn Nottage, which won the 2017 Pulitzer Prize for Drama. In 2007, John received a Tony Award nomination for Best Performance by a Featured Actor in a Play for his work in August Wilson's Radio Golf and made his first Broadway performance in August Wilson’s Gem of the Ocean. Additional film and television credits include Spike Lee's Miracle at St. Anna, Night Comes On, Showtime’s On Becoming a God in Centra Florida, Netlix’s The I-Land, HBO's True Detective, Paramount+’s The Good Fight, Blue Bloods and NBC's Law & Order: Special Victims Unit.

Joshua Boone was most recently seen in the Broadway production of Dominique Morisseau's Skeleton Crew. Other recent stage credits include Anna Ziegler’s Actually, C.A. Johnson’s All The Natalie Portmans, and Ivo van Hove’s acclaimed Broadway production of Network opposite Bryan Cranston. He has also been seen on stage in Holler If Ya Hear Me (Broadway), Artney Jackson (Williamstown), Mother Courage and Her Children (Classic Stage Company), etc. Joshua stars as the lead of the upcoming Netflix film, A Jazzman’s Blues, written, directed, and produced by Tyler Perry. He previously starred in Premature for director Rashaad Ernesto Green opposite Zora Howard, which made a splash at the Sundance Film Festival, as well as the independent feature Wheels for writer/director Paul Starkman. He can also be seen on the series “Seven Seconds” for Netflix. Joshua received his BFA in Theatre Performance from Virginia Commonwealth University.

A multi-hyphenate performer, creator, and recording artist, Burnside has appeared in notable stage, television, and film projects. He currently stars as Ricky in Ryan Murphy’s and FX’s ground-breaking and Emmy-nominated series, Pose. He first captivated audiences with his Broadway debut, starring as Anthony in 2014’s Holler if Ya Hear Me, a hip-hop musical inspired by the music and lyrics of Tupac Shakur. He also appeared in NBC’s Peter Pan Live! and the HBO series High Maintenance, all while completing his final year at the prestigious CAP21 conservatory for music theatre and The New School where he earned a bachelor’s degree in Media Studies and Writing. Last year, Burnside hosted the series Prideland for PBS. The series explored LGBTQ+ identity in the South and was nominated for a GLAAD Media Award. The Pensacola, FL native began performing professionally at the age of 12 as a member of the hip-hop/R&B boy band 3D, which afforded him the opportunity to tour the country performing original music. Burnside released his debut solo single last year and is currently working on new music. In addition to his performance work, he is passionate about producing quality arts content that promotes social change and works with students at schools across the country about the importance of arts education as a means of personal empowerment and self-expression.

To come.

To come.

To come.