Broadway Grosses: Smash-Hit Freestyle Love Supreme Goes Out on a High Note

The company of Lin-Manuel Miranda's Freestyle Love Supreme concluded its run in good spirits. The newly anointed Broadway hit packed the Booth Theatre to 101.60% capacity in its final week, reporting a substantial gross of $1,062,219.00. Among other strong performers this past week was the Broadway premiere of the Pulitzer-winning A Soldier's Play, which grossed $305,205.00 and filled the American Airlines Theatre to a respectable 84.97% capacity, and the new solo drama My Name Is Lucy Barton, which grossed $478,414.40 in seven previews and played to houses at 96.53% capacity. Broadway is just months away from its spring-season boom, so now is a great time to sample the assortment of shows currently playing.

Here's a look at who was on top—and who was not—for the week ending January 12.

FRONTRUNNERS (By Gross)
1. Hamilton ($2,763,874.00)
2. Moulin Rouge! The Musical ($1,859,181.00)
3. The Lion King ($1,610,115.00)
4. Tina—The Tina Turner Musical ($1,572,756.00)
5. To Kill a Mockingbird ($1,516,362.14)

UNDERDOGS (By Gross)
5. Oklahoma! ($555,451.10)
4. The Inheritance ($501,028.50)
3. My Name Is Lucy Barton ($478,414.40)*
2. A Soldier's Play ($305,205.00)
1. Grand Horizons ($213,547.32)

FRONTRUNNERS (By Capacity)
1. Come From Away (101.64%)
2. Freestyle Love Supreme (101.60%)
3. Hamilton (101.54%)
4. Dear Evan Hansen (101.54%)
5. Beetlejuice (101.39%)

UNDERDOGS (By Capacity)
5. Chicago (84.05%)
4. The Sound Inside (83.55%)
3. Grand Horizons (74.21%)
2. The Phantom of the Opera (70.97%)
1. The Inheritance (64.17%)

Source: The Broadway League

*Number based on seven preview performances