Dog Day Afternoon Show Poster

Dog Day Afternoon Reviews

Jon Bernthal and Ebon Moss-Bachrach star in Stephen Adly Guirgis' new play.

4.4
Tickets starting at $70.76
Show Overview

Critics’ Reviews (3)

A collection of our favorite reviews from professional news sources.
Theatermania

"If ever there was a film primed for the stage, Dog Day Afternoon is it."

Theatermania

Pete Hempstead

"A big, hugely entertaining, and laugh-filled dramedy. You won't forget it."

The Wrap

Robert Hofler

The New York Times

"A raucous, gritty portrait of New York."

The New York Times

Jason Zinoman

customer reviews

Customer Reviews (49)

4.4
Score average from verified show reviews by customers who’ve bought tickets from Broadway.com.
5 stars
71%
4 stars
12%
3 stars
6%
2 stars
2%
1 star
8%
Showing 1 star reviews. View all reviews
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A Real Disappointment
"I was disappointed with this production, specifically the new script writing of this story of Dog Day Afternoon. I found it corny, hokey and predictable. Although I must give creds to Jon Bernthal. His performance was very good considering the material he had to work with. I also thought the staging and set design was inventive. "
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Broadway.com Customer on Apr 29, 2026
So Long
"It is very slow, very drawn out and just not a great story. "
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Broadway.com Customer on Apr 5, 2026
Not ready for Prime Time
"I was looking forward to seeing Dog Day Afternoon and, unfortunately, I didn't like the script at all. The performances, while overtly microphoned, from the lead actors, were excellent. What worked in the film does not automatically translate to a stage adaptation. If, in fact, this is what it was suppose to be. What tone was the author trying to create--and in noting this tone and atmosphere--move from there to decide the kind of story you're telling. There was never any real tension occuring on stage; when it surfaced, it felt temporary and as a reminded within the world of the play, "this is a robbery." But the script is without any tension and the stakes are too submerged to carry any real dramaturgical weight. Lastly, the set does not fit the action. Three cashiers are crowded into the upstage corner in the largest bank lobby I've ever seen, for the time period, in Brooklyn. Empty spaces on the outside can work, occasionally, but here, sadly, it continued to looked as an unimagined space. Good performances from the leads, but this play is a mess--it's can't figure out what it wants to be...faithful to, inspired by, or its own version of the movie. Sadly, the writer hasn't chosen an engaging, tense way to tell the story HE wants to tell. It feels like too many cooks and not one chef. And the set design is absolutely out-of-proportion for an ounce of period reality: when the bank lobby fills the entire proscenium there's something that is disproportionate to the circumstance and its setting. There are a lot of studio apartments that could fit into this bank lobby, which I don't think was the intentional, but unmistakable, visual impact. I wanted to like this show. I didn't. "
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Broadway.com Customer on Mar 26, 2026
A Dog of a Show
"Too long. Too boring. Too many empty attempts at cheap laughs. No opportunity for Ebon Moss-Bachrach to shine. He’s a great actor. Underdeveloped characters. Boring. Should have left during intermission when I had the chance. "
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Karen W from Great Neck on Apr 21, 2026

About Dog Day Afternoon

Step back into the sweltering summer of 1972, New York City—a time when the Vietnam War looms large, Watergate headlines flood the news, and one man's desperate act captivates the nation.  A Brooklyn bank hold up quickly goes wrong, and with each gut-wrenching twist that unfolds, chaos ensues that ignites the city as they follow the actions of a man on the edge. Dog Day Afternoon is a raw, gritty reminder of what happens when passion and desperation collide. 

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