Audra McDonald is unparalleled in the breadth and versatility of her artistry as both a singer and an actor. The winner of a record-breaking six Tony Awards, two Grammy Awards and an Emmy, in 2015 she was named one of Time magazine’s 100 most influential people and received a National Medal of Arts—America’s highest honor for achievement in the field—from President Barack Obama. In addition to her Tony-winning performances in Carousel, Master Class, Ragtime, A Raisin in the Sun, The Gershwins’ Porgy and Bess and Lady Day at Emerson’s Bar & Grill—the role that also served as the vehicle for her Olivier Award-nominated 2017 debut in London’s West End—she has appeared on Broadway in The Secret Garden; Marie Christine (Tony nomination); Henry IV; 110 in the Shade (Tony nomination); Shuffle Along, or, The Making of the Musical Sensation of 1921 and All That Followed; and Frankie and Johnny in the Clair de Lune (Tony nomination). A Juilliard-trained soprano, her opera credits include La voix humaine and Send at Houston Grand Opera, and Rise and Fall of the City of Mahagonny at Los Angeles Opera, where the resulting recording earned her two Grammy Awards. On television, she was seen by millions as the Mother Abbess in NBC’s The Sound of Music Live! and played Dr. Naomi Bennett on ABC’s Private Practice. She won an Emmy Award for her role as host of PBS’s Live From Lincoln Center and has received nominations for Wit, A Raisin in the Sun and Lady Day at Emerson’s Bar & Grill. Having first appeared as Liz Lawrence on CBS’s The Good Wife, she stars in The Good Fight on Paramount+ as well as in Spectrum’s pandemic-themed drama, The Bite. On film, she has appeared in Seven Servants, The Object of My Affection, Cradle Will Rock, It Runs in the Family, The Best Thief in the World, She Got Problems, Rampart, Ricki and the Flash, Disney’s live-action Beauty and the Beast, the movie-musical Hello Again, and MGM’s Aretha Franklin biopic, Respect. Her upcoming film projects comprise Higher Ground’s Rustin and FilmNation’s Down Low. McDonald has issued five solo albums on the Nonesuch label as well as Sing Happy with the New York Philharmonic on Decca Gold. She also maintains a major career as a concert artist, regularly appearing on the great stages of the world and with leading international orchestras. A founding member of Black Theatre United, board member of Covenant House International, and prominent advocate for LGBTQAI+ rights, her favorite roles are those performed offstage, as an activist, wife to actor Will Swenson, and mother.

An American stage and screen actor, Bryce Pinkham is most widely known for originating the role of Monty Navarro in the Tony-winning production of A Gentleman's Guide to Love and Murder, for which he was nominated for Tony, Grammy, and Drama Desk awards.  He also notably appeared in the Broadway revival of The Heidi Chronicles as Peter Patrone, for which he was nominated for an Outer Critics Circle Award and a Drama League Award for Distinguished Performance.  His other Broadway credits include original roles in Holiday Inn, The Great Society, Ghost, and Bloody Bloody Andrew Jackson. Bryce's on-screen appearances include as a series regular on the Civil War drama Mercy Street, guest appearances in HBO's Julia, Baz Lurman's Netflix series The Get Down, and Robert DeNiro's feature film The Comedian, as well as “The Good Wife” (CBS), “Proven Innocent” (FOX), “Person of Interest” (CBS), Blindspot (NBC), The Blacklist (NBC). As a singer Bryce has performed in concert venues across the country, most notably Carnegie Hall, The Chicago Lyric Opera, Lincoln Center, and The Library of Congress. As a writer, Bryce has published articles in American Theater Magazine and Yale Alumni Magazine. In 2012, Bryce helped found Zara Aina, a not-for-profit that uses the power of theatrical storytelling to empower under-resourced youth. In May 2013, Bryce led a team of American artists on Zara Aina’s pilot program to Madagascar.  Bryce is also a frequent collaborator with Outside the Wire, a social impact theater company that serves many communities, but particularly focuses on military audiences. His most notable international tours include Guantanamo Bay, Japan, Kuwait, and Qatar. A graduate of the Yale School of Drama, Bryce was awarded the Leonore Annenberg Foundation Early Career Fellowship in 2012. Bryce holds a BA from Boston College and an MFA in Acting and bio-writing from the Yale School of Drama.

Broadway: Electra, Having Our Say, So Long on Lonely Street. Off-Broadway: Bodies They Ritual, On Sugarland, Cullud Wattah, Trojan Women, The Visitor, Passage, First Noel, Brownsville Song, Cell, Rosmersholm, for colored girls…, Gum, Ma Rose and Salt. Regional: STC, CATF, Rep Theater of St. Louis, The Old Globe, Trinity Rep, Arena Stage, Cleveland Play House, Yale Rep, Berkeley Rep, Victory Gardens, NBT U.K., Cincinnati Playhouse, Roundhouse Theater. Film/TV: Detroit, We’ll Never Have Paris, The Human Stain, The Preacher’s Wife, Unbreakable Kimmy Schmidt, Deadbeat, Golden Boy, John Adams, The Good Wife, Sesame Street, The Wire.

Hailing from Baltimore, MD, Mister is excited to be making his Broadway debut! He is also currently playing George Murchison in Raisin In The Sun at The Public Theatre, directed by Robert O’Hara. He was recently seen in Exception to the Rule at Roundabout Theatre as Abdul and will be starring in the upcoming film The Last Deal as Bobby. Off-Broadway: Blue Man Group, Rio Uphill (York), On Sugarland (NYTW). Regional: Of Mice and Men (Serenbe Playhouse), The Wiz (Shenandoah). Film: Boogie, 30 Weeks. TV: Power: Book ll, FBI, The Blacklist, Godfather of Harlem. Awards: Best Duo Performance, DTLA Film Festival. BFA, Florida Southern College.

Broadway debut. Theater: World Premiere and Original Cast Album Knoxville (Asolo Rep), Hi, My Name is Ben (Goodspeed Musicals), and others. TV/Film: The Good Fight. Thank you, WTG, friends, Mom, Dad, Al, and Forrest McClendon for all the love and support. I could not do this without you all. Beyond grateful. MA: Royal Conservatoire of Scotland.

To come.

TO come.

To come.

To come.

To come.

To come.