Broadway Grosses: As Winter Sets In, Tina—The Tina Turner Musical Is Still a Hot Commodity

The music of Tina Turner has been pulsing through the Lunt-Fontanne Theatre since Tina—The Tina Turner Musical began performances back in October. The bio-musical about the Queen of Rock 'n' Roll was a strong seller back then and continues to perform well at the box office today, even at a time of the year when shows' grosses grow more modest. In the past week, Tina posted a box office receipt of $1,643,762.00, an increase from the prior week's intake of $1,572,756.00, playing to audiences at 99.39% capacity, up from the previous week's capacity of 98.77%. With performance like this, we have no doubt the tunes of Turner will be heard on Broadway for many years to come.

Here's a look at who was on top—and who was not—for the week ending January 19.

FRONTRUNNERS (By Gross)
1. Hamilton ($2,724,599.00)
2. Moulin Rouge! The Musical ($1,780,175.50)
3. The Lion King ($1,687,677.00)
4. Tina—The Tina Turner Musical ($1,643,762.00)
5. To Kill a Mockingbird ($1,637,162.00)

UNDERDOGS (By Gross)
5. Chicago ($653,891.30)
4. The Inheritance ($482,254.04)
3. My Name Is Lucy Barton ($408,244.80)*
2. A Soldier's Play ($320,552.50)
1. Grand Horizons ($215,800.68)

FRONTRUNNERS (By Capacity)
1. Oklahoma!(103.48%)
2. Hamilton (101.57%)
3. Come From Away (101.51%)
4. Hadestown (101.38%)
5. To Kill a Mockingbird (101.01%)

UNDERDOGS (By Capacity)
5. Frozen (90.70%)
4. Chicago (83.17%)
3. Grand Horizons (79.53%)
2. The Phantom of the Opera (76.88%)
1. The Inheritance (64.24%)

Source: The Broadway League

*Number based on seven performances