Company Tickets

Katrina Lenk is a triple threat artist who segues seamlessly between stage and screen. She most recently starred as Dina in Broadway’s Tony Award-winning production of The Band’s Visit and earned a Tony Award, Grammy Award, Emmy Award, Lucille Lortel Award, Outer Critics Circle Award nomination, Chita Rivera Award nomination, Drama League Award nomination, Theatre World Award’s Dorothy Louden Award, and a Clarence Derwent Award for Breakout Female of the Year. Lenk starred on Broadway in Pulitzer Prize winner Paula Vogel’s Indecent (Outer Critics Circle Award nomination). Her other Broadway credits include Once, Spider-Man: Turn Off the Dark and The Miracle Worker. Additional theater credits include iWitness (Mark Taper Forum), Lost Land (Steppenwolf), Caucasian Chalk Circle (South Coast Rep) and Lovelace: A Rock Opera (L.A./Edinburgh). To television audiences, Lenk is known for her pivotal roles on hit series including a recent major series arc on the The Village, The Good Fight, The Marvelous Mrs. Maisel, Elementary, The Get Down, The Blacklist, According to Jim and Will & Grace. On the big screen, she appeared in Look Away, Evol: The Theory of Love, Elan Vital, Crime Fiction, Kiss Me in the Dark and Space Daze. Lenk is the ringleader of the band/performance art piece called Moxy Phinx.

Patti LuPone won the Olivier and WhatsOnStage Awards for her performance as Joanne in the West End production of Company. A two-time Tony Award winner for her performances in Evita and the most recent Broadway production of Gypsy, her New York stage credits include War Paint (Tony, Drama Desk, Outer Critics Circle Award nominations); Shows for Days; The Seven Deadly Sins (New York City Ballet); Company (New York Philharmonic); Woman on the Verge of a Nervous Breakdown (Tony, Drama Desk, OCC Award nominations); Sweeney Todd (Tony, Drama Desk, OCC nominations); Noises Off; The Old Neighborhood; Master Class; Anything Goes(Tony nomination, Drama Desk Award); Oliver!; Accidental Death of An Anarchist; The Water Engine; and The Robber Bridegroom (Tony and Drama Desk nominations). In addition to Company, her London stage credits include Master Class; Sunset Boulevard (Olivier Award nomination); The Cradle Will Rock, and Les Miserables, for which she won the Olivier Award, the first American artist to do so, for her performances in both musicals. Opera: The Ghosts of Versailles (Los Angeles Opera), To Hell and Back (San Francisco Philharmonia Baroque Orchestra), The Rise and Fall of the City of Mahagonny (Los Angeles Opera debut), Regina (Kennedy Center). Film credits include: The Comedian, Parker, Union Square, Summer of Sam, Driving Miss Daisy, and Witness. LuPone’s television credits include Pose, Mom, The Simpsons, Vampirina, Crazy Ex-Girlfriend, Penny Dreadful (Critics Choice Award nomination), Girls, American Horror Story: Coven, 30 Rock,  Glee, Frasier (Emmy Award nomination), and three years as Libby Thatcher on the ABC series Life Goes On. She is a founding member of both the Drama Division of The Juilliard School and John Houseman’s The Acting Company and the author of the New York Times best-seller Patti LuPone: A Memoir. 

Etain Benson is an Israeli-American actor based in NYC. On Broadway, he originated the role of Papi in the Tony Award-winning musical The Band’s Visit. Broadway/National Tour: Wicked (Boq); An American in Paris (Adam). TV: “God Friended Me.” Regional: The Fortress of Solitude (premiere, Dallas Theater Center), A Room with a View (premiere, The Old Globe), Next to Normal (Weston Playhouse), My Name is Asher Lev (GableStage). Workshops: The Band’s Visit (directed by Hal Prince), The Devil Wears Prada (directed by Anna Shapiro), Little Miss Sunshine (directed by James Lapine). Benson trained at the University of Michigan and the legendary Moscow Art Theatre. He is a Grammy Award winner as Principal Soloist on The Band’s Visit Original Broadway Cast Album.  

Jennifer Simard is a two-time Tony Award, five-time Drama Desk Award, three-time Drama League Award, and Lucille Lortel Award nominee. She is also a co-host of the Broadway Podcast Network’s “The Fabulous Invalid.” Her Broadway credits include Once Upon a One More Time (Stepmother); Company (Sarah; Tony nomination); Mean Girls (Mrs. Heron/Ms. Norbury/Mrs. George); Disaster! (Sister Mary Downey; Tony nomination); Hello, Dolly! (Ernestina); The 25th Annual Putnam County Spelling Bee (opposite Mo Rocca); and the companies of Sister Act and Shrek the Musical. Off-Broadway credits include the original companies of Forbidden Broadway: SVU; The Thing About Men; and I Love You, You’re Perfect, Now Change. Film credits include Somewhere in Queens, The Flintstones in Viva Rock Vegas, Wish You Were Dead, and Sisters. Television credits include Girls5eva, The Good Wife, Law & Order, Law & Order: SVU, The King of Queens, and Younger.

Christopher Fitzgerald is a three-time Tony Award nominee and two-time Drama Desk Award winner. His Broadway credits include Waitress (Tony nomination, Drama Desk and Outer Critics Circle Awards), Young Frankenstein (Tony, Drama Desk, and Outer Critics Circle nominations), Finian’s Rainbow (Tony nomination, Drama Desk and Outer Critics Circle Awards), Company, An Act of God, The Merchant of Venice opposite Al Pacino, Wicked (original Boq), Amour (Drama Desk nomination), Chicago, and the recent revival of Spamalot. Off-Broadway and regional credits include the U.S. premiere of Stephen Sondheim’s Saturday Night at Second Stage (Drama Desk nomination); the U.S. premiere of Martin McDonagh’s The Cripple of Inishmaan at The Public Theater; the world premiere of Corpus Christi by Terrence McNally at MTC; the renowned Steppenwolf production of McDonagh’s The Beauty Queen of Leenane opposite Laurie Metcalf; the U.S. debut of Frank McGuinness’s Observe the Sons of Ulster Marching Towards the Somme at Lincoln Center; the title role in Barnum at the Chichester Festival Theatre in England; and 15 seasons with the Williamstown Theatre Festival (MA). Notable TV and film credits include The Marvelous Mrs. Maisel (Amazon), Elsbeth (CBS), Godless (Netflix), Happy! (SyFy), Let Them All Talk (HBO Max, dir. Steven Soderbergh), and Girl Most Likely with Kristen Wiig and Annette Bening.

Christopher Sieber started performing shows in his parents’ living room, where he was a triumph at age 7 in “The Christopher Comedy Cavalcade of 1976,” seen by both his parents and unsuspecting neighbors driving by. Then he went immediately to Broadway, where he has been for almost three decades. He has starred in Company, The Prom, Matilda, Pippin, La Cage aux Folles, Shrek (Tony, Drama Desk, Drama League, Outer Critics noms), Monty Python’s Spamalot (Tony nom and West End Production), Chicago, Thoroughly Modern Millie, Into the Woods, Beauty and the Beast, and Triumph of Love. Television: Blue Bloods, Law and Order: SVU, The Good Wife, The Good Fight, Elementary, Ed, Sex and the City, Pushing Daisies, It’s All Relative, Two of a Kind, and lots of daytime TV, like Guiding Light, All My Children, and Another World, where his many recurring characters never went anywhere…

Manu Narayan is an actor most known for portraying the leading role of Aakash (Drama League nomination) in the original Broadway company of AR Rahman’s Bombay Dreams. On Broadway this past year, he originated the role of Zoltan Karpathy in Lincoln Center Theater’s Tony nominated revival of My Fair Lady and created the role of Robbie in the original musical Gettin’ the Band Back Together at the Belasco Theater. Off-Broadway, Manu has appeared at the Public (Fucking A), Second Stage (Getting Home and suburbia), La Mama (Yeast Nation) and New World Stages (Sidd). Regionally, he was Ricky Roma (SD Critics’ nomination) in Glengarry Glen Ross and Huma in Guards at the Taj at La Jolla Playhouse. He portrayed Mike in the Kennedy Center’s revival of The Lisbon Traviata. Other credits include the Stage Manager in Our Town, Romeo in Shakespeare’s Romeo and Juliet, Cyrano in Rostand’s Cyrano de Bergerac, and Jack Absolute in The Rivals. On film, Manu co-starred with Mike Myers in The Love Guru. He has played supporting roles in Cinderella Story: Once Upon a Song and in 99 Homes.

Broadway credits include Company, The Book of Mormon (Nabulungi); The Gershwins' Porgy and Bess (Clara); Les Miserables (Fantine); Anything Goes; Promises, Promises; Aida; Nine; Little Shop of Horrors and Lestat. Daniels made her New York City Opera debut as Clara in Porgy and Bess. Other New York credits include Martha Jefferson in 1776 at City Center Encores! and Rose Lennox in The Secret Garden at David Geffen Hall. She was also seen as Angelica Schuyler in Hamilton in Chicago. On television she has appeared as a featured player on Chappelle's Show, Madam Secretary and The Sound of Music: Live. She has performed as a soloist with numerous symphony orchestras across the country, in Canada, and at Carnegie Hall.

Terence Archie is a native of Detroit and graduate of the North Carolina School of the Arts. He originated the role of Apollo Creed on . Broadway as well as in the German-translated production of Rocky the Musical in Hamburg, Germany. Other Broadway credits include Ragtime and Kiss Me, Kate. Off-Broadway: Joan of Arc: Into the Fire (The Public), The Elaborate Entrance of Chad Deity (Second Stage), 1776 (City Center). Solo shows: The Peanut Prince, Frederick Douglas Free, and At The Pole. Regional: The Squirrels (La Jolla Playhouse), All The Way, The Twelve (DCPA), Guys and Dolls, Twelfth Night (Old Globe), Two Gentlemen of Verona, Tamburlaine The Great, Edward II (STC), Arabian Nights (Berkeley Rep/Arena Stage), The Elaborate Entrance of Chad Deity (Geffen), The Odyssey (Seattle Rep), The Odyssey (Artpark). Television: The Mysteries of Laura, Manhattan Love Story, Madam Secretary, Elementary, The Blacklist, Blindspot and several iterations of Law & Order.

Claybourne Elder has been seen on Broadway in Sunday in the Park...(Soldier/George Standby), Bonnie and Clyde (Buck), and Torch Song. Off-Broadway: Sondheim’s Road Show (Hollis, Public Theatre), One Arm (Ollie, Drama Desk nomination), Allegro (Joseph, Lortel Award nomination), Do I Hear A Waltz? (City Center), and Venice (Public Theatre). Regional: Sondheim on Sondheim at the Hollywood Bowl, Passion (Giorgio) at Signature Theatre, Angels in America (directed by David Cromer), Into the Woods (directed by Moises Kaufman) at Kansas City Rep. Film and television: FBI, The Carrie Diaries (Pete), and Flatbush Luck.

Broadway: Chicago, Company, The Rose Tattoo, Frozen, Cinderella, Peter and the Starcatcher, Bloody Bloody Andrew Jackson. Off-Broadway: I Can Get It For You Wholesale (CSC), Hamlet (The Public), Moscow Moscow Moscow Moscow Moscow Moscow (MCC), The Robber Bridegroom (Roundabout; Lortel nomination). Film/TV: Elsbeth, Maestro, Dr. Death, The Americans, Radium Girls, The Good Wife, Royal Pains, Wall Street: Money Never Sleeps, Kings. Boston native. 

Bobby Conte  reprises his performance from the Goodman Theatre’s 30th anniversary production. Broadway: Company (dir. Marianne Elliott); A Bronx Tale (dirs. Robert De Niro & Jerry Zaks). Select theatre: 50th anniversary of Leonard Bernstein’s Mass at the Kennedy Center; My Fair Lady (dir. Michael Arden); A Funny Thing… Forum (dir. Jessica Stone); Starting Here, Starting Now (dir. Richard Maltby, Jr.); world premiere of Ken Ludwig's A Comedy of Tenors; three seasons at The Muny. Film/TV: If Beale Street Could Talk; Intervenors; Unbreakable Kimmy Schmidt; Madam Secretary; The Code. Solo album: Along the Way. Training: University of Michigan; RADA. 

Rashidra Scott has been seen on Broadway in Ain’t Too Proud: The Life and Times of The Temptations (original Broadway cast, Grammy Award nomination),Beautiful (original Broadway cast, Grammy Award), Sister Act (original Broadway cast, understudy for Deloris, and Deloris in the first national tour),Hair, Finian’s Rainbow, and Avenue Q (Gary Coleman). Select regional credits: Ain’t Too Proud (Berkeley Rep, Kennedy Center), Anything Goes (Reno at Goodspeed), Dreamgirls (Lorrell at Marriott Theatre), and Hair (Dionne at Arizona Theatre Company). Television: Rescue Me (Sony/FX). Scott occasionally has the honor of singing some of Whitney Houston’s best hits with symphonies nationwide in Windborne’s “Music of Whitney Houston.” BM in Music Business/Management (Berklee College of Music). Thank God, Leading Artists, Rich, and family. 

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After a series of acclaimed productions, Elliott established herself as one of the artistic directors of the Royal Exchange Theatre in Manchester before recently moving to the Royal Court, where she is now associate director.

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