Much Ado About Nothing Tickets

For The Jamie Lloyd Company: Much Ado About Nothing (Theatre Royal Drury Lane - WhatsOnStage Award nominee for Best Performer in a Play, The Standard Theatre Award nominee for Best Actor), Betrayal (Harold Pinter Theatre/Broadway/Bernard B. Jacobs Theater - Tony Award nominee for Best Performance by a Leading Actor in a Play, Evening Standard Theatre Award nominee for Best Actor). Other theatre credits include: Hamlet (Kenneth Branagh Theatre Company), Coriolanus (Donmar Warehouse - Evening Standard Theatre Award for Best Actor), Ivanov and Othello (Donmar Warhouse), Cymbeline (Cheek by Jowl - Olivier Award for Best Newcomer), and The Changeling (Cheek by Jowl). Television credits include: The Night Manager Season 2, Loki (Critics Choice’ Award Nomination, People's Choice Award), The Essex, Serpent, The Night Manager (Golden Globe Award for Best Performance by an Actor in a Limited Series or a Motion Picture Made for Television, Emmy Leading Actor Nomination), Henry IV Parts 1&2 and Henry V (South Bank Sky Arts Award for Breakthrough performance), Return to Cranford, Wallander, Miss Austen Regrets, The Gathering Storm, Conspiracy, and Nicholas Nickleby. Film credits include: The Life of Chuck, Loki in Marvel's Thor, The Avengers (MTV Movie Awards for Best Villain and Best Fight), Thor: The Dark World, Thor: Ragnarok, Avengers: Infinity War, Avengers: Endgame, Early Man, Kong: Skull Island, I Saw the Light, High-Rise, Crimson Peak, Tinker Bell and The Pirate Fairy, Muppets Most Wanted, Only Lovers Left Alive, Exhibition, The Deep Blue Sea, War Horse, Midnight In Paris, Archipelago, and Unrelated. Forthcoming projects include: Tenzing and Avengers: Doomsday.

Hayley Atwell is an award-winning actress, working extensively across all mediums of storytelling; theatre, film, television and voice work. Hayley trained in classical theatre at The Guildhall and was awarded the fellowship in 2018. Hayley is perhaps best known for her outstanding performance and dazzling portrayal of Margaret Schlegel in BBC Ones series Howards End and Peggy Carter in the Marvel film franchise Captain America. Her theater credits for the Jamie Lloyd Company include Much Ado About Nothing (Theatre Royal Drury Lane, The Standard Theater Award nomination for Best Actress, WhatsOnStage Award nomination for Best Actress in a Play), The Pride (Trafalgar Studios – Olivier Award nomination for Best Actress, WhatsOnStage Award nomination for Best Actress in a Play). Other theatre credits include Rosmersholm (Duke of York’s Theatre – Olivier Award nomination for Best Actress), Measure for Measure (Donmar Warehouse), Dry Powder (Hampstead Theatre), The Faith Machine (Royal Court Theatre – Directed by Jamie Lloyd), A View from the Bridge (Duke of York’s Theatre – Olivier Award nomination for Best Supporting Actress), The Man of Mode (National Theatre), Major Barbara (National Theatre - Ian Charleson Commendation), Women Beware Women (RSC) and Prometheus Bound (Sound Theatre). Most recently, Hayley was seen playing the role of Grace in the spy action thriller Paramount Pictures films Mission: Impossible – Dead Reckoning and Mission: Impossible – The Final Reckoning. Hayley has starred in numerous film and television projects over the years including the upcoming film Empire City directed by Michael Matthews starring opposite Gerard Butler, the second series of Rivals for Hulu, "Be Right Back” – the stand-out episode of Charlie Booker’s Black Mirror,  a three-part adaptation of Andrea Levy’s award-winning, best-selling novel directed by Mahalia Belo. Recently, she starred opposite Ewan MacGregor in Disney’s Christopher Robin, Blinded By The Light directed by Gurinder Chadha, Brideshead Revisited directed by Julian Jarrold opposite Emma Thompson and the Netflix series Criminal alongside David Tennant. Other notable work includes television projects such as BBC Two’s The Line of Beauty,  Channel 4’s adaptation of William Boyd’s Any Human Heart and Ken Follett's Pillars of the Earth for which, she was nominated for a Golden Globe for Best Actress in a Miniseries for this role. Hayley’s film credits include starring opposite Chris Evans in Marvel’s Captain America: The First Avenger, Captain America: The Winter Soldier, Avengers: Age of Ultron, Ant-Man, and Avengers: Endgame. Hayleys character ‘Peggy Carter’ was given her own show, Agent Carter in 2015. This was the first ever Marvel spin-off to be fronted by a woman. She was nominated in the Best Supporting Actress category at the 2008 British Independent Film Awards for The Duchess directed by Saul Dibb.

For The Jamie Lloyd Company: Much Ado About Nothing and The Tempest (Theatre Royal Drury Lane), The Effect (National Theatre). Theater credits include: Childminder (Traverse Theatre), The True History of Bonnie and Clyde (Birmingham Repertory), Electra, Closer, Holy Day, La Ronde, Lord of the Flies, Pygmalion, and Othello (Birmingham Conservatoire). Film credits include: Death Do Us Part (Play Entertainment), The People We Hate at the Wedding (Amazon), Tetris (Apple TV), and Maintenance Required (Amazon). Television credits include: A Woman of Substance (The Forge), Toast of Tinseltown (Objective Media), Avenue 5 (HBO), and Storm (Treasure Hunt). Training: Birmingham Conservatoire

For The Jamie Lloyd Company: Much Ado About Nothing (Theatre Royal Drury Lane); The Seagull (Harold Pinter); Cyrano de Bergerac (Playhouse/ Harold Pinter/ Glasgow Theatre Royal/ BAM, NYC). Theater credits include: Macbeth (Storyhouse); Pink Lemonade (Gate/ Edinburgh Fringe Festival/ Bush Theatre); As You Like It (Shakespeare’s Globe); Dear Elizabeth (Gate); Michael X (Almeida). ‘Film credits include: Dismantle Me (Spinster Films). Television credits include: What It Feels Like For A Girl (BBC Three); Newark, Newark (Balloon Entertainment); Screw (Channel 4); The Girlfriend Experience (Transactional Pictures). Writing credits includes: What It Feels Like For A Girl (BBC); My White Best Friend (Bunker); Pink Lemonade (Bush); Queer Upstairs (Royal Court); I’m Here (Pentabus).

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For The Jamie Lloyd Company Much Ado About Nothing and The Tempest (Theatre Royal Drury Lane); Macbeth, Richard III, The Ruling Class (Trafalgar Studios) and Dr. Faustus (Duke of York’s). Theater credits include The High Life – Still Livin’ It! (National Theatre of Scotland/ Dundee Rep). Farm Hall (Theatre Royal Haymarket); Orphans, Laughing Boy (Jermyn Street); Jekyll and Hyde (Lyceum); Macbeth, Hamlet, Comedy of Errors, Twelfth Night, The Histories, As You Like It, Romeo & Juliet, and Taming of the Shrew (Royal Shakespeare Company); Summer and Smoke (Almeida); Travesties (Menier Chocolate Factory). Film credits include: The Road Dance (BBC). Television credits include: The Crown (Netflix); As You Like It (CBeebies); Crime, EastEnders, Red Dwarf and The High Life (BBC); Catastrophe (Avalon Television); Young Person’s Guide to Becoming a Rock Star (Ch4). Forbes is an Associate Artist at Royal Shakespeare Company and National Theatre of Scotland and co-writer of Victor and Barry’s Kelvinside Compendium (404ink).

For The Jamie Lloyd Company: Much Ado About Nothing and The Tempest (Theatre Royal Drury Lane) and Romeo & Juliet (Duke of York’s). Theater credits include: Oklahoma! (Wyndham’s); The Glass Menagerie (Duke of York’s); A Number (Old Vic); David Copperfield (Barn); Farewell Leicester Square (Townsend Productions); Hansel & Gretel (Shakespeare’s Globe). Training: The Royal Central School of Speech and Drama.

For The Jamie Lloyd Company: Much Ado About Nothing and The Tempest (Theatre Royal Drury Lane). Theater credits include: Oh, Mary! (Trafalgar Theatre), American Idiot (Deaf West, USA), Cabaret (Playhouse Theatre), I Am My Own Wife (Long Wharf), and Hedwig and the Angry Inch (US Tour). Film credits include: National Anthem (LD Entertainment). Television credits include: Quantum Leap (NBC), The Sandman (Netflix), Cowboy Bebop (Netflix), and iCarly (Nickelodeon). Nominated for the 2026 Ian Charleson Award and a 2026 WhatsOnStage Award for Best Supporting Performer in a Play, both on behalf of their performance in Much Ado About Nothing.

For The Jamie Lloyd Company: Much Ado About Nothing and The Tempest (Theatre Royal Drury Lane). Theater credits include: Stage Kiss (Hampstead Theatre), Harry Potter and The Cursed Child (Palace Theatre), and Underdog: The Other Other Bronte (National Theatre). Television credits include: Bridgerton (Netflix) and Wreck (BBC Three). Training: Guildford School of Acting

For The Jamie Lloyd Company: Much Ado About Nothing and The Tempest (Theatre Royal Drury Lane). Theatre credits include: Jack Absolute Flies Again (National Theatre), Ink (Almeida & Duke of York’s), The Pride (Royal Court), and Salome (Headlong). Film credits include: One Life (See-Saw Films), The Phantom of the Open (Sony Pictures), Star Wars – The Last Jedi (Lucasfilm), Cruella (Disney Studios), and The Death of Stalin (Main Journey). Television credits include: Breeders (Sky), The Nevers (HBO), The Crown (Left Blank Pictures & Sony Pictures), A Very British Scandal (BBC One & Amazon), and Brexit: The Uncivil War (Channel 4). Most recently he can be seen in Maigret, and 1000 Blows written by Stephen Knight.

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